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On the Western Edge of Campus Matrius Park a tall foreboding structure hovers above a group of smaller storefronts wedged between Michigan & Lafayette avenues. The crooked V-shaped body of the dilapidated Lafayette building, sticking out like a sore thumb, it is one of the last of old Detroit’s ruins left in this corner of Downtown. Across the street is the Book Cadillac Hotel, newly renovated and restored to its original glory. The Cadillac’s detail was painstakingly preserved by dedicated historical preservationists who refinished its architecture. Behind the Lafayette is a new, modern Holiday Inn whose guests staying on the east side of the building have an unobstructed view of the derelict Lafayette property. Also in the vicinity are newly constructed offices as well as historic buildings like The Dime, Stott, Buhl and Penobscot . These have always been the premier office buildings in Detroit and they only emphasize the contrast between The Lafayette and its surroundings.

 
     

 

The old government building was once a jewel of Downtown but now its luster has faded and its fate is uncertain. In recent weeks and months the city has taken steps that suggest demolition is on the near horizon. The drama and the demise of the Lafayette are well-documented and its woes range from mismanagement to sheer neglect. This celebrated wonder built by renowned architect C. Howard Crane is a testament to the saying ”they just don’t build em’ like that anymore”. Even for Detroit, the Lafayette is a peculiar building; with subdued details and aristocratic allure it looks like one of the many theaters in the Grand Circus Park district. Roman pillars accent the upper two floors on all but the east side of the building. Standing at attention like a military regiment, the terra cotta stones called “fleur de lis”, which means “flower of the lily”, line the edge of the roof like a crown. It’s no wonder so much debate has taken place over its fate.

     

The Lafayette was constructed in 1923 and opened in 1924. It was once billed as Michigan’s finest office building. The commission of architect C. Howard Crane was a bit unusual for an office building. Regarded as one of the foremost leading designers of neo-classical renaissance theaters, Crane also designed other notable Detroit buildings, including the FOX & Fillmore Theaters, the Palms Hotel and, perhaps his most magnificent piece of work, the United Artist Theater. This world-renowned designer was responsible for some of our most celebrated pieces of theatrical architecture. Throughout his life he built some two hundred and fifty theaters and various other buildings across the country, all of which conveyed royal stature and elegance. Though one wouldn’t be able to tell today, the Lafayette was no different; its accents and attention to detail once set it far apart from all other office buildings in Detroit.

 

 

     

 

 

Crane’s plans for the construction included a new V-shaped design, a first in the country for an office building. The split wedge design allowed for the capture of most of the afternoon and evening light. It also gave each office its own view to the street below. Many of the lobbies and hallways were made of polished marble. Carved into the marble were the building’s numerous drinking fountains. They were placed near the main bank of elevators at the structure’s pinnacle were both wedges meet. Originally, the elevators were decorated in brass and bronze, and embroidered with bright colors. Said to have cost anywhere between two and three million, the Lafayette was no doubt a premier office building of its time.

     

As decedent and opulent as the Lafayette was, by the 1930's the building was already starting to suffer due to poor long-term direction. The decision was made to sell the building to Bohn Aluminum & Brass Co. in 1932, after only eight years in business. To settle tax problems and lawsuits filed by shareholders, Bohn, who had purchased a 99-year lease on the property, was forced to buy the building and the land outright from a company known at the time as the Michigan & Shelby Land Company. For the next 20 years, the building functioned as a mixed-use facility. The upper floors of the building were leased by the State of Michigan to serve as courts and other court-related administrative offices.

 

 

The location of the Lafayette building was ideal because of its proximity to the Federal Courthouse, also on Lafayette Boulevard. The building’s lower three floors were home to an array of different businesses that served the everyday passersby Well-known local retailer Henry the Hatter and Walters Pipes even had shops here. In 1953, when Bohn died, the building and its operations were handed over to his three children. Over the next thirty some years. the Lafayette would change ownership many times; it was even re-purchased once by the Bohn Cooperation. Statements by the family suggest that the move to re-purchase was made because of mismanagement and neglect by its owner.

     

During Detroit’s decline in the 1980s, the future of the Lafayette was getting grim. Though it remained the office for the Michigan State Supreme Court, the building was running into financial troubles. By 1985, the building’s owners consulted architects about possibly covering its existing terra cotta with a steel and glass exo-structure. Thankfully, this project never materialized and was abandoned in the early stages. In 1988, the building was sold once again. Soon after the Michigan State Supreme Court elected to move to a new modern facility located at Madison and Brush. In November of that year, the remaining courts and administration vacated the building, leaving just the retail businesses. In 1991, the owners notified tenants that they had fewer than 100 hours to pack up and move out of the building. The electricity bill, which was well over $30,000, had gone unpaid for far too long and the lights would soon be shut off.

 

 

Discussion of Lafayette Building Demolition

Courtesy of Detroit Today on N.P.R.

     

 

Detroit Edison agreed to try and work with tenants to keep the lights on, but only six businesses remained. In 1997, after years of litigation, Nation Wide Bank finally foreclosed on the Lafayette’s owners and the building was sealed like a tomb. But... Just like any other building in this area it would not stay sealed for very long. By the summer of 2000, it was evident that constant vandalism and scrapping were damaging the structure. The Lafayette’s problems compounded as its damaged façade was now vaunerable to erosion and weathering. The Lafayette is just one of many buildings that need to be either rehabbed or at the very least “mothballed” for future development. The city continues to do little in the way of maintaining any of the historic buildings in its downtown core. In 2004, when the Free Press ran a story about “Detroit’s Towers of Neglect”, it mentioned that trees had now been spotted growing on the roof. Even though the article was an embarrassment for the city, coverage resulted in no new developments for the building. The summer this article ran in the Free Press also happened to be the same time I had made it inside to explore for myself. I wish I could say it was a well-planed and sensible operation but I cannot say either about the experience. Like a lot of adventures in Detroit, it happened by complete chance.

     

During the July fourth weekend of that year, I was out with good friends I don't often see. After attending an all-night music event downtown, we decided to walk around and enjoy the calmness and serenity that is Detroit at 4 am. After an hour of aimlessly wandering around, the eerie stillness gave way to the sounds of business, people and buses getting back to work after a long holiday weekend. Heading back to my place, we crossed Lafayette Boulevard and walked towards Woodward Avenue. As we came around the corner of the Lafayette building, we could see the front door was wide open. The open doorway reeked of old decaying matter, asbestos, and mold. This was most certainly a building that warranted the use of a respirator mask. Unfortunately, the best we had was our shirts and an LED flashlight; not the best scenario for poking around an 85 year-old building at 5:30 in morning. Still, it was clear that this wasn’t the time to be concerned with small matters such as these because this was the first chance I had to get inside and explore this historical museum of decay.

 
     
 

We carefully stepped around the plywood door that was still partially blocking the entry. The lobby of the building was completely black and very damp. It was also at least 40 degrees colder than outside; we could probably see our breath, had we been able to see at all. The bottom three floors of the building had been sealed with heavy boards and had not seen daylight in several years, effectively making this area a limestone cooler. We didn’t spend much time on the lower floors due to the lack of sufficient lighting. Carefully we made our way up the inner staircase of the building. Reaching the fourth floor, we entered the building’s elevator area. This floor also appeared to be the main lobby for the court offices. Just outside the windows on this level you could see several small trees growing in the courtyard. Bright green moss covered the floors of this entire area and it often felt like walking on a carpet. It was very cool and damp here and I suspect it was the reason this particular floor had an abundance of moss. The third floor also housed many of the courtrooms. I was awestruck to stand in the rooms where so many had had their fate decided. I imagined the historical events that took place in these rooms and I just stood there soaking it in for a few minutes. I walked amongst the courtrooms and in and out of the jury rooms over and over again. It was truly surreal to walk the path of Detroit’s history some ten years after these places ceased to be relevant.

     

On one of the judges’ desks inside the courtroom sat a copy of Time Magazine from September 1991. The cover pictorial was that of an American soldier using a rocket launcher in what looked to be some far away desert hell. The title “Into Kuwait!” was poignant. Just months earlier, President Bush decided we needed to go back to war in the Middle East. The image of this magazine is by far the image that stands out the most to me during my visits to the Lafayette. When I think back it becomes even more ironic and sad if you take into account the sub-headline: “Tightening the noose on Saddam”. It wasn’t more than a few years later, in 2006, this prophetic headline would come true. In other rooms in the Lafayette we found stacks of old legal records, and stenographer ticker tape, rubber banded together and hand labeled. Strewn about in large piles, it had been pulled from the shelves where it had been neatly stored.

 
     
 

Electronics, calendars, books, magazines and countless other personal possessions were all left behind . Included in the things left behind were thousands of personal records of people and cases processed by the courts. People’s entire lives, or at least their entire case files were simply lying haphazardly, waiting to be found. Official seals used to notarize Michigan documents were also just lying about. Countless items of historic significance were all around but the most delicious of these historic treasures were the directory signs on every floor. The wood, metal and glass frames were detailed with the logo of the building. Most of the signs still had names of various businesses on them. I could not help myself; I collected as many of the nametags as I could find lying around on the floor by the signs. Antiques of all kinds still remain inside the building, as if inside a time capsule. Remnants from the building’s various businesses were littered about in random places. Old napkins and cups from the two Coney Islands that share the Lafayette block were everywhere. The two competing Coney Island restaurants, American Coney and Lafayette Coney Island sit side by side and both claim to be the first Coney Island in America. The Keros brothers founded Lafayette Coney in 1917. Soon after the opening, an argument led to the division of the restaurant into two parts. You can bet every Detroiter has their own opinion on who makes the better Coney dogs.

     

Art deco and classic renaissance were oddly juxtaposed with the cheap, tacky styles of the 1970s. In some rooms on the upper floors it appeared that someone had taken the time to scavenge the remains of the junk left behind and assemble mini shrines to the ruins of the Lafayette. It also appeared that various people had been living in the building but it did not look to be very recent so we didn’t worry too much. More concerning was the deteriorating condition of the building as we reached the top. It was not nearly as dangerous as the Fort Shelby’s stairs had been, but it was badly weathered and damaged much the same. On the top floor the terra cotta brick had fallen away from the rest of the structure. Fortunately it landed in the courtyard on the forth floor and not on the street below. Pigeons infested these upper floors. In and out they flew, building nests on the ledges of the fleur de lis stonework atop of the building. Toward the very top the stairs started to fill with familiar debris much like that of the Fort Shelby’s staircase. Once we made our way up to the roof we could see the trees that sprouted up from the gravel and tar roof. A small grove of tall and short grasses lined the areas where water collected in pools by the edge of the roof. A patch of three-leaf clovers was growing right out from the side of the building where a window once was. With the absence of man, its quite difficult not to be struck by the way nature is reclaiming the Lafayette building.

 
     
 

The Lafayette Building is one of the city’s most incredible hidden jewels. The historic and architectural importance of this site must warrant the city to look at alternatives other than demolition. The Lafayette's builders took much pride in giving the city a masterpiece that was as unique as Detroit and therefore, we need to keep these types of buildings around for future generations to have and to appreciate. In recent weeks the citizens of Detroit have become witnesses to an increasingly careless and ominous policy direction to demolish many historical buildings; most notably the Michigan Central Depot. By demolishing the very things that set Detroit apart from other struggling urban areas, city leaders will ultimately doom the city’s fate to that of countless surface parking lots.

     

Why would the city council want to sabotage our city?

     

Perhaps it’s the intent of city council to create the image that they actually can get something done. Let’s face it: their scandals won't cover themselves up. Only the demolishing of unique, one-of–a-kind buildings will fix everything for them come this November. The Lafayette will become just like so many other historic building such as the Tuller, The Madison-Lenox and The Statler Hotel: a depressing pile of concrete destined for the gravel yard. Its empty footprint will only serve as a constant reminder of the ignorance and shortsightedness of our leaders. Powerless in this cyclone of Detroit scandal and politics, I wonder if the day will come when this city elects a leader of strength and intelligence with the savvy to recognize what we have. Someone who has the sight to see beyond their own term in office and do the right things to help Detroit. Above all, that someone who has the vision to take this city somewhere that seems impossible to get to -- an ambition not unlike that of sending a man to the moon.